"The Voice of the New Due Process Army" ————– Musings on Events in U.S. Immigration Court, Immigration Law, Sports, and Other Random Topics by Retired United States Immigration Judge (Arlington, Virginia) and former Chairman of the Board of Immigration Appeals Paul Wickham Schmidt. To see my complete professional bio, just click on the link below.
Nolan Williams, Jr. Composer & Director, Let Freedom Ring Choir PHOTO: NEWorks.com
The Let Freedom Ring Celebration is an annual celebration of the legacy of Dr. Martin Luther King, Jr., jointly presented by The John F. Kennedy Center for the Performing Arts and Georgetown University. Following a two-year hiatus prompted by the COVID pandemic, ‘Let Freedom Ring’ returns this weekend to the Kennedy Center Concert Hall with a stellar program headlined by Tony and Grammy winner Leslie Odom, Jr. and music produced by NEWorks Productions CEO, Nolan Williams, Jr.
The program will feature Odom performing a range of selections from the American songbook, Williams leading the Let Freedom Ring Celebration Choir and NEWorks Band, and the presentation of the 21st annual John Thompson Jr. Legacy of a Dream Award to Paula Fitzgerald, executive director of Ayuda.
Other program participants include: Naomi Eluojierior, Georgetown University student; Marc Bamuthi Joseph, VP & Artistic Director of Social Impact, The Kennedy Center; [Cheri Carter, Vice President,] Boeing (LFR Title Sponsor); and John J. DeGioia, President, Georgetown University.
Williams will present two original works as part of the program, performed by the Let Freedom Ring Celebration Choir and Band, Georgetown University student poets Cameren Evans, Isaiah Hodges, and Lucy Lawlor, and community soloists Roy Patten, Jr. and Laura Van Duzer.
The program [opened] with the world premiere of Williams’ “We’re Marching On!,” a work commissioned by Georgetown University. The piece draws inspiration from a 1965 speech by Dr. Martin Luther King, Jr. and features spoken word delivered by Evans, Hodges and Lawlor.
Williams’ second musical contribution is the social-justice-themed ballad, “We are the ones to heal our land.” Commissioned last year by Choral Arts Society and Washington Performing Arts, this work has been adapted for this occasion and will feature Patten and Van Duzer.
(Scroll below to access Williams’s song lyrics.)
The program [closed] with a stirring rendition of Dick Holler’s 1968 classic “Abraham, Martin and John.” The song pays tribute to the memory of Abraham Lincoln, Martin Luther King, Jr., John F. Kennedy, and Robert F. Kennedy, all American icons of social change who were tragically assassinated.
[Odom then brought the audience to its feet one final time with a totally awesome and inspiring encore rendition of “Ave Maria,” to piano accompaniment, in recognition of the “Christ energy” of Dr. King: A characteristic that, to paraphrase Odom’s words, “transcends individual religious beliefs or non-beliefs!”]
[I loved that in his musical selections Odom took pains to showcase the talents of, and share the spotlight with, each member of his amazing band. That shows just the type of teamwork, awareness, humility, and appreciation of those who made and make you what your are that Dr. King preached. It also reminded me of my experiences with Paula, AYUDA, and Georgetown Law (which I’ve also found to be a great team effort.)]
[Here’s an excerpt from the lyrics of Williams’s“We’re Marching On:”]
Georgetown University Student Poets Cameren Evans, Lucy Lawlor, and Isiah Hodges, perform “We Keep Marching On” at the Let Freedom Ring Concert, Kennedy Center, Jan. 16, 2023 PHOTO: YouTube
“We’re Marching On!”
Music and Lyrics by Nolan Williams, Jr.
Spoken Word by Lucy Lawlor, Cameren Evans, Nolan Williams, Jr. & Isaiah Hodges
Commissioned by Georgetown University for Let Freedom Ring 2023.
Copyright secured, NEW-J Publishing. All rights reserved.
PROLOGUE
Sometimes I find myself running,
my feet burnt and charred from the fire behind me,
my memories all caught up in coal combustion.
All I have is a body full of smoke.
I remember learning my red, white, and blues,
my Christopher Columbus sailed the ocean blue
inside an underfunded public school.
A gleeful American history lesson
that always came with a fog.
[During the concert, the stage was enveloped in machine-generated (I assume) smoke and fog to emphasize (I assume) the often ambiguous position and perspective of African Americans and other minorities in relation to the “standard — often whitewashed — version” of the “American Dream.” Does that “Dream” really look the same if your family members were denied educational, political, and economic rights, or the entire “pursuit of life, liberty, and happiness” because of their skin color? I doubt it.]
Sometimes the American dream sounds a lot like pitchforks and screams.
Haunting screams from Rosewood, Ocoee, Ponce,
all forgotten pieces of our history.
Reminding us there’s still work left to do—
that’s why we keep marching.
THE HOOK
We’re marching on
‘cause we must keep marching on.
We’re marching on
‘cause the truth is marching on.
. . . .
BRIDGE
Opposition forces
sense their voice is
quelled the more we persevere.
That’s why their raging more
And waging war
on this the last frontier
of their inhumanity,
superiority,
inequality.
That’s why we keep marchin’
. . . .
[And, here are excerpts from Williams’s “We are the ones to heal our land:”:]
“We are the ones to heal our land.”
Music and Lyrics by Nolan Williams, Jr.
Commissioned by Choral Arts Society and Washington Performing Arts.
Adapted for Let Freedom Ring 2023.
Copyright secured, NEW-J Publishing. All rights reserved.
ABOUT THE SONG…
“For most of my life, I have been deeply inspired by the scriptural verse, 2 Chronicles 7:14. If the text does not readily come to mind, here it is for your immediate reference:
If my people, who are called by my name, will humble themselves and pray and seek my face and turn from their wicked ways, then I will hear from heaven, and I will forgive their sin and will heal their land. (King James Version)
These words have long embodied for me the profound hope that God will eventually make right the many wrongs that trouble our land.
In recent years, however, I have found myself challenged by the application of this verse. Too often, it is interpreted in a way that absolves us of the responsibility of being active agents of our own healing. Too often, it justifies a passive process of waiting on God (above) to move as if we have no power within to bring about the change we seek.
With this new song, I offer a reimagining of the 2 Chronicles text to provoke and awaken our consciousness and to call us as a community to renewed action. And I do so with verses that explore four forms of justice disparities: earth, social, environmental, and economic.
As you read these lyrics and listen to the world premiere performance of this song, meditate deeply upon the meaning and application of these words.”
-Nolan Williams, Jr.
Community soloists Roy Patten, Jr. and Laura Van Duzer belt out a heartfelt version of “We are the ones to heal our land” at the Let Freedom Ring concert at the Kennedy Center, Jan. 16, 2023. PHOTO: YouTube
. . . .
VERSE 3
The haves get more while the rest of us survive,
doing our best to make ends meet.
And chances to advance are not the same
for the lost, the least, and all those in between.
When will the just cry, “Enough?”
When will the righteous more demand?
At such a time as this,
We need the brave to take a stand.
REFRAIN
So, we pray to us,
call ourselves by name,
humbly asking if we’ve had enough of our own pain.
Here, now, face to face,
will we turn from our own wicked ways?
Hear us now, we are the ones to heal our land.
BRIDGE
We’ve no right to pray to God then wait with no resolve
to accept the charge we have to act and get involved,
knowing God is calling us to right the wrong we’ve caused,
knowing God is calling us to right the wrong we’ve caused!
. . . .
VAMP
If not us, who?
If not now, when?
Calling me, you:
It’s time to heal our land.
It’s time to heal our land.
John Thompson 1941 – 2020 Hall of Fame Basketball Coach, Broadcaster, Mentor Photo from Wikipedia/Sports Illustrated
Watch the video of the full performance and the award presentation to Paula by Georgetown University President John G. DeGioia here. It’s a wonderful award to a terrific person and true American hero who embodies the values and determination of Dr. Martin Luther King, Jr., and John Thompson, Jr., to fight to finally make equal justice in America a reality and to make our world a better place!
Former Georgetown and Princeton Head Basketball Coach John Thompson III and the Thompson Family attended and were recognized for their continuing contributions to social justice in America and for making this great event possible. Cathy and I were honored and thrilled to be in the audience.
I was especially moved by Paula’s highlighting the successful efforts of AYUDA and other community groups to welcome and care for migrants to DC who were bussed here as part of a nativist political stunt by some governors. Certainly, it illustrates who “gets” Dr. King’s spirit, dreams, and messages of hope and who is arrogantly, and cynically, paying his memory and values “lip service,” at best!
The “video short” on the social justice impact of John Thompson & Paula (including my “Paula anecdote”) begins at 42:20:
